A short film and a series of still frames built around one car and one mood. The brief was self-set: take the ZAZ 968 — a 1971 Soviet pocket convertible — and place it inside the kind of ad campaign it was never given. Warm light, slow motion, Mediterranean architecture, no cynicism.

Every frame was generated as a single image and then colour-graded back into the same palette — saturated reds, soft creams, warm chrome. The goal was never photorealism for its own sake, but a coherent ad-world the car could plausibly live inside.